CRIVELLI, CarloItalian Early Renaissance Painter, ca.1430-1495 | |||
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Pieta 124 Pieta 124 Gemälde ID:: 6330 Siehe Galerie in Schweden |
Pieta 124 Pieta 124 Oil on wood Pinacoteca, Vatican Öl auf Holz Pinacoteca, Vatikan Oil_on_wood Pinacoteca,_Vatican |
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St Jerome and St Augustine dsfg St Jerome und St Augustine dsfg Gemälde ID:: 6331 Siehe Galerie in Schweden |
St Jerome and St Augustine dsfg St Jerome und St Augustine dsfg c. 1490 Tempera on wood, 187 x 72 cm Gallerie dell'Accademia, Venice c. der Tempera von 1490 auf Holz, 187 X 72 cmGallerie dell~Accademia, Venedig c._1490 Tempera_on_wood,_187_x_72_cm Gallerie_dell'Accademia,_Venice |
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Virgin and Child dfg Jungfrau und Kind dfg Gemälde ID:: 6332 Siehe Galerie in Schweden |
Virgin and Child dfg Jungfrau und Kind dfg 1490s Tempera on panel Victoria and Albert Museum, London 1490er Jahren Tempera auf täfelt Victoria und Albert Museum, London 1490s Tempera_on_panel Victoria_and_Albert_Museum,_London |
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Virgin and Child Enthroned sdf Jungfrau und Kind Haben sdf Inthronisiert Gemälde ID:: 6333 Siehe Galerie in Schweden |
Virgin and Child Enthroned sdf Jungfrau und Kind Haben sdf Inthronisiert around 1476 Panel, 106,5 x 55,3 cm Museum of Fine Arts, Budapest umden Unterausschuss von 1476, 106.5 X 55.3 cm Museum Schöner Künste, Budapests around_1476 Panel,_106,5_x_55,3_cm Museum_of_Fine_Arts,_Budapest |
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Virgin and Child Enthroned around Gemälde ID:: 64696 Siehe Galerie in Schweden |
Virgin and Child Enthroned around 1476 Panel, 106,5 x 55,3 cm Museum of Fine Arts, Budapest Crivelli was one of the busiest painters in Venice during the second half of the fifteenth century and was responsible for many altarpieces in small churches in Veneto and in the Marches. Adapting himself to the conservative taste of his patrons, he painted in an archaic style based on Gothic tradition; his Madonnas are usually frontally posed and seen against a gold background of Bysantine splendor. There is but little movement and few details from nature, the composition being solemn and strictly linear. Only the pure and sure design of the faces and the lavishly applied festoons of flowers and fruits testify to Crivelli's being a master of the fifteenth century, a Renaissance artist with a style of his own. The "Virgin and Child Enthroned" was formerly the central panel of a polyptych in the church of San Domenico at Ascoli Piceno. The representaion of saints from the wings are in the National Gallery in London. *** Keywords: ************* Author: CRIVELLI, Carlo Title: Virgin and Child Enthroned, 1451-1500, Italian , painting , religious 1476_Panel,_106,5_x_55,3_cm_Museum_of_Fine_Arts,_Budapest_Crivelli_was_one_of_the_busiest_painters_in_Venice_during_the_second_half_of_the_fifteenth_century_and_was_responsible_for_many_altarpieces_in_small_churches_in_Veneto_and_in_the_Marches._Adapting_himself_to_the_conservative_taste_of_his_patrons,_he_painted_in_an_archaic_style_based_on_Gothic_tradition;_his_Madonnas_are_usually_frontally_posed_and_seen_against_a_gold_background_of_Bysantine_splendor._There_is_but_little_movement_and_few_details_from_nature,_the_composition_being_solemn_and_strictly_linear._Only_the_pure_and_sure_design_of_the_faces_and_the_lavishly_applied_festoons_of_flowers_and_fruits_testify_to_Crivelli's_being_a_master_of_the_fifteenth_century,_a_Renaissance_artist_with_a_style_of_his_own._The_"Virgin_and_Child_Enthroned"_was_formerly_the_central_panel_of_a_polyptych_in_the_church_of_San_Domenico_at_Ascoli_Piceno._The_representaion_of_saints_from_the_wings_are_in_the_National_Gallery_in_London._***_Keywords:_*************_Author:_CRIVELLI,_Carlo_Title:_Virgin_and_Child_Enthroned,__1451-1500,__Italian_,___painting_,___religious |
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| Vorheriger Künstler Nächster Künstler | ||||||||||
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| CRIVELLI, Carlo | ||||||||||
| Italian Early Renaissance Painter, ca.1430-1495 | ||||||||||
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